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<!--Generated by Squarespace V5 Site Server v5.13.157 (http://www.squarespace.com) on Tue, 21 May 2013 03:11:50 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Protecting Designs</title><subtitle>Protecting Designs</subtitle><id>http://www.protectingdesigns.com/blog/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.protectingdesigns.com/blog/"/><link rel="self" type="application/atom+xml" href="http://www.protectingdesigns.com/blog/atom.xml"/><updated>2013-04-29T19:27:45Z</updated><generator uri="http://five.squarespace.com/" version="Squarespace V5 Site Server v5.13.157 (http://www.squarespace.com)">Squarespace</generator><entry><title>Design Day 2013</title><category term="USPTO"/><category term="design day"/><id>http://www.protectingdesigns.com/blog/2013/4/29/design-day-2013.html</id><link rel="alternate" type="text/html" href="http://www.protectingdesigns.com/blog/2013/4/29/design-day-2013.html"/><author><name>Colin Harris</name></author><published>2013-04-29T18:59:34Z</published><updated>2013-04-29T18:59:34Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="color: #222222;">The 7<sup>th</sup> annual Design Day took place on April 23, at the USPTO. In attendance were about 80 USPTO employees, and roughly 200 exterior stakeholders. Robert Spear, Supervisory Patent Examiner for Technology Center 2900 ("TC 2900"), was the Master of Ceremonies. The theme for Design Day 2013 was &ldquo;Designs in the New Digital Age.&rdquo; </span></p>
<p><span style="color: #222222;">To start the day, Margaret Focarino, Commissioner for Patents at the USPTO, gave an overview of the goals for TC 2900. She noted that for the second year in a row, the focus for TC 2900 was on eliminating the case backlog for filings prior to October 2011. Progress was acknowledged. With this goal in mind, and an increase in design filings, Ms. Focarino indicated that Examiners may be added to TC 2900. </span></p>
<p><span style="color: #222222;">Next, the Director of TC 2900, Robert Olszewski, gave a presentation on the State of TC 2900, focusing on personnel. Mr. Olszewski indicated that of the 102 Examiners in TC 2900, 76 were Primary Examiners, showing that Design Examiners are progressing. In addition, 56 Examiners are telecommuting, making TC 2900 the art unit with the highest telecommuting percentage.</span></p>
<p><span style="color: #222222;">Joel Sincavage, Design Practice Specialist of TC 2900, presented &ldquo;More About the Written Description Requirement of 35 U.S.C. &sect; 112(a).&rdquo; Mr. Sincavage provided several examples of design cases comprising both original and amended drawings, where an amendment was enabled in the original drawings, but not described. For instance, an example consisted of a baby bottle holder with two handles, in solid lines in the original drawing, but later amended to include one handle in solid lines, and the second handle in shadow lines. Mr. Sincavage indicated that in such cases careful examination would be required to determine, on a case by case basis, whether the written description requirement was met. A spirited discussion ensued, and Mr. Sincavage noted that he would report elements of the discussion to the USPTO legal affairs department for further discussion.</span></p>
<p><span class="apple-converted-space"><span style="color: #222222;">Following a break, David Gerk, Patent Attorney at the Office of Policy and External Affairs, and Darrell Mottley, Shareholder at Banner &amp; Witcoff, presented on the U.S. implementation of the Hague Agreement. Mr. Gerk reviewed the procedure for filing an application under the Hague Agreement, noting that while all applications, direct or indirect, would be initially reviewed by the International Bureau, substantive examination would be carried out by the contracting party. Thus, while 100 embodiments may be filed in one application under the Hague Agreement, the USPTO would remain consistent with its restriction practice. Mr. Mottley addressed several implementation issues currently being discussed between WIPO and the PTO, noting WIPO&rsquo;s willingness to work to synchronize the U.S. system with the Hague. For example, WIPO currently lacks the ability to file disclosures, oaths or declarations. WIPO also does not provide e-notification of rejections, which could leave Applicants with a short time period to respond. Mr. Mottley noted that a decision to file under the Hague would likely be based on multiple considerations such as secrecy, speed of examination, and a country&rsquo;s specific IP strategy. In response to questions, Mr. Gerk indicated that a rule packet was being prepared. He also noted that Japan, Korea and China were in discussions with WIPO to become parties to the Hague Agreement.</span></span></p>
<p><span class="apple-converted-space"><span style="color: #222222;">Masashi Omine, Deputy Director of the Design Policy Section at the Japanese Patent Office presented an &ldquo;Outline of the Design System in the JPO, History, and Recent Developments in GUI practice before the JPO&rdquo;. Mr. Omine reviewed elements of Japanese design applications, and gave a brief overview of changes in the JPO Design Examination Guidelines from 1986 to 2011, implemented to better protect GUIs. Mr. Omine stated that a Design System Subcommittee at the JPO is investigating a possible entry into the Hague Agreement. </span></span></p>
<p><span style="color: #222222;">To conclude the morning&rsquo;s presentation, Tracy-Gene Durkin, Director of Sterne Kessler Goldstein &amp; Fox P.L.L.C, presented &ldquo;Design Patents in Reexamination: A Look Back at the Last Ten Years and at the Future.&rdquo; </span>Ms. Durkin noted that between 2005 and 2010 Design Patents constituted 2% of Ex Parte reexams, and 1% of Inter Partes reexams. She indicated that with the AIA increasing the amount of qualifying prior art, the number of design patent post grant proceedings may increase.</p>
<p>The afternoon sessions of Design Day 2013 began with a joint presentation focusing on protecting GUI designs by Andrew Sanders from Microsoft and Robert Katz of Banner &amp; Witcoff.&nbsp; Mr. Sanders discussed certain Microsoft products and related design patent filings.&nbsp; Mr. Sanders noted that his company is seeking to protect animation and gave a Snap animation demo.&nbsp; Lastly, Mr. Sanders explained that design patent protection is important to his company, and often is used in situations that do not end up in the news.&nbsp; Mr. Katz&rsquo; portion of the presentation focused on capturing and protecting the user experience.</p>
<p>The next presentation was by Charles Mauro of Mauro New Media.&nbsp; Mr. Mauro gave a presentation on The Increasing Importance of GUI in the Digital Age.&nbsp; Mr. Mauro&rsquo;s presentation included a history of GUI and future implementations.&nbsp; Mr. Mauro also discussed modern design and the problem with protecting those designs with the intellectual property rights that are currently available.</p>
<p>Cathron Brooks, a SPE in TC2900, gave a presentation titled Overview of USPTO Examination Practice for Icon and Graphical User Interface Applications. &nbsp;The presentation by Ms. Brooks outlined the procedures that design patent examiners go through to search for GUI and icon applications.&nbsp; Ms. Brooks noted that there are currently 11 primary examiners that examine GUI and icon applications that that these examiners work as a team and have regular meetings to discuss examination procedures.</p>
<p>A question and answer session with the afternoon&rsquo;s presenters followed.&nbsp; Of interest to practitioners, Joel Sincavage stated that the publications department has an agreement to use SCORE drawings when available, regardless of whether the Examiner has asked them to or not.</p>
<p>The final presentation of the day was given by Elizabeth Ferrill of Finnegan, Henderson, Farabow, Garrett &amp; Dunner.&nbsp; Ms. Ferrill gave an overview of the design patent judicial decisions from the last year.&nbsp; This overview included a discussion on the <em>Apple v. Samsung</em> litigation.&nbsp; Ms. Ferrill then discussed several Federal Circuit and district court cases that involve design patents.</p>
<p>The various discussions during Design Day 2013 were interesting, sometimes heated, and very informative.&nbsp; They certainly emphasize that U.S. design patent practice is constantly changing and the increasing importance of design patents.&nbsp; Please check our blog frequently for the latest updates.</p>
<p>Colin B. Harris &lt;CHarris@oblon.com&gt;</p>
<p>Anne-Raphaelle Aubry &lt;AAubry@oblon.com&gt;</p>]]></content></entry><entry><title>Yummie Tummie Sues Spanx for Design Patent Infringement</title><category term="complaint"/><category term="declaratory judgment"/><category term="design patents"/><category term="infringement"/><category term="spanx"/><category term="yummie tummie"/><id>http://www.protectingdesigns.com/blog/2013/4/19/yummie-tummie-sues-spanx-for-design-patent-infringement.html</id><link rel="alternate" type="text/html" href="http://www.protectingdesigns.com/blog/2013/4/19/yummie-tummie-sues-spanx-for-design-patent-infringement.html"/><author><name>Patrick Miller</name></author><published>2013-04-19T13:30:00Z</published><updated>2013-04-19T13:30:00Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>On April 2, 2013, Yummie Tummie sued fellow shapewear maker Spanx in the U.S. District Court for the Southern District of New York for patent infringement of six of its design patents.&nbsp; The suit follows Yummie Tummie&rsquo;s <a href="http://www.protectingdesigns.com/storage/YummieTummie_CeaseDesist.pdf">cease and desist letter</a> from earlier this year and Spanx&rsquo;s own <a href="http://www.protectingdesigns.com/storage/Spanx_DJ.pdf">complaint</a> for declaratory judgment of non-infringement against Yummie  Tummie filed last month in the U.S. District Court for the Northern District of Georgia.&nbsp;</p>
<p>In its <a href="http://www.protectingdesigns.com/storage/yummie spanx suit.pdf"><span style="text-decoration: underline;">complaint</span></a> (Case 1:13-cv-02157-AKH), Yummie Tummie asserted that Spanx&rsquo;s products, including &ldquo;The Total Taming Tank A226764,&rdquo; the &ldquo;Top This Tank Style 1847,&rdquo; and &ldquo;The Top This Cami Style 1846,&rdquo; infringe the following U.S. design patents: <a href="http://www.protectingdesigns.com/storage/patd606285.pdf"><span style="text-decoration: underline;">D606,285</span></a>; <a href="http://www.protectingdesigns.com/storage/patd616627.pdf">D616,627</a>; <a href="http://www.protectingdesigns.com/storage/patd622477.pdf">D622,477</a>; <a href="http://www.protectingdesigns.com/storage/patd623377.pdf">D623,377</a>; <a href="http://www.protectingdesigns.com/storage/patd665558.pdf">D665,558</a>; and <a href="http://www.protectingdesigns.com/storage/patd666384.pdf">D666,384</a>.&nbsp; The complaint did not include exhibits illustrating Spanx&rsquo;s at-issue products, but Figures 1 and 3 of Yummie Tummie Design Patent D606,285 are provided below for visual context.</p>
<p><span class="full-image-block ssNonEditable"><span><img style="width: 640px;" src="http://www.protectingdesigns.com/storage/d285.jpg?__SQUARESPACE_CACHEVERSION=1366315494056" alt="" /></span></span>Yummie Tummie seeks damages and/or a disgorgement of Spanx&rsquo;s total profits as well as its customers&rsquo; profits for patent infringement.&nbsp; Yummie Tummie also seeks an injunction preventing Spanx from making, using, selling, or offering to sell, and from contributing to and inducing others to make, use, sell, or offer to sell Yummie  Tummie&rsquo;s patented designs without permission.</p>]]></content></entry><entry><title>Hague Agreement (Guest Post)</title><category term="WIPO"/><category term="design patents"/><category term="geneva act"/><category term="hague agreement"/><category term="industrial designs"/><category term="international design application"/><category term="treaty"/><id>http://www.protectingdesigns.com/blog/2013/4/10/hague-agreement-guest-post.html</id><link rel="alternate" type="text/html" href="http://www.protectingdesigns.com/blog/2013/4/10/hague-agreement-guest-post.html"/><author><name>Audrey Pastoret</name></author><published>2013-04-10T13:00:35Z</published><updated>2013-04-10T13:00:35Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><em>Further to our prior coverage of the <a href="http://www.protectingdesigns.com/blog/2012/12/10/patent-law-treaties-implementation-act-of-2012.html">implementation of the Hague Agreement</a>, we are pleased to publish the following from Audrey Pastoret, a guest of ours from France.</em></p>
<p>The <a href="http://www.protectingdesigns.com/storage/PLAW-112publ211.pdf">Patent Law Treaties Implementation Act of 2012</a> signed by President Obama on December 18, 2012 implements the Hague Agreement in the United States. It is intended to provide industrial designs with protection in states and governmental organizations parties to this arrangement through a single international application effected at the WIPO. Before the Hague Agreement, an application had to be filed in every country where protection was desired, resulting in several applications being filed for a single design patent. Under the Hague agreement a single application can provide protection in multiple countries.</p>
<p>An international application under the Hague Agreement does not require a prior national deposit, and can be filed either at the WIPO or at the national office. The application may be in English, French or Spanish.</p>
<p>When filing an application under the Hague Agreement, one must either be a citizen of a Contracting Party or a Member State of an international organization that is a Contracting Party. Alternatively, one must have either a residence or an habitual residence on the territory of a Contracting Party, and one must have an effective industrial or commercial establishment on the territory of a Contracting Party.</p>
<p>The Hague Agreement consists of three International Treaties, but since 2010 only two of them are still enforced:&nbsp; The Geneva Act (1999) and The Hague Act (1960). (The London Act of 1934 was frozen in 2012).</p>
<p>The Geneva Act and the Hague Act are independent from each other, such that one country can join one or both. Accordingly, when asking for protection under the Hague Agreement in several countries, it is crucial to confirm that those countries are parties to the same Act. The United States are party to the Geneva Act but not the Hague Act. Consequently, the United States can ask protection in countries party to the same act (the Geneva Act) but cannot ask for protection in a country which is party only to the Hague act.</p>
<p>The Hague Agreement increases the protection duration for design patents in the US from 14 years to 15 years. This increase in protection duration is based on an initial 5 year protection which may be renewed for an additional 5 years, every 5 years until the total protection is reached, in countries where protection is desired. The total duration of design patent protection may vary according to each country&rsquo;s rules.</p>
<p>Under the Hague agreement, an international application may contain a maximum of 100 Designs. All designs must belong to the same Locarno classification, which is an International Classification for Industrial Designs. Application costs are expected to increase with the number of designs claimed.</p>
<p>Under the Hague Agreement, publication takes place six months after the date of the international registration. However, an applicant may request immediate publication or request a deferment of publication.</p>]]></content></entry><entry><title>Oakley Inc. v. Hire Order, Ltd.</title><category term="design patents"/><category term="eyewear"/><category term="hire"/><category term="infringement"/><category term="oakley"/><category term="sunglasses"/><id>http://www.protectingdesigns.com/blog/2013/4/8/oakley-inc-v-hire-order-ltd.html</id><link rel="alternate" type="text/html" href="http://www.protectingdesigns.com/blog/2013/4/8/oakley-inc-v-hire-order-ltd.html"/><author><name>Anne-Raphaelle Aubry</name></author><published>2013-04-08T20:39:50Z</published><updated>2013-04-08T20:39:50Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>In <em>Oakley Inc. v. Hire Order, Ltd.</em> (3:12-cv-02346-DMS-WMC), the U.S. District Court of the Southern District of California issued an <a href="http://www.protectingdesigns.com/storage/Oakley-v-Hire-Order-Order-Denying-MSJ.pdf">Order</a> on March 28, 2013, denying Hire&rsquo;s motion for partial summary judgment of non-infringement.</p>
<p><span style="color: #222222;">As shown in Exhibit B of the <a href="http://www.protectingdesigns.com/storage/OakleyComplaint.pdf">Complaint</a> filed on September 26, 2012, Oakley, Inc. (Oakley) issued a letter to Hire Order, Ltd (Hire) on June 22, 2012, demanding that Hire cease sales of its Sportsman Eyewear video recording system. <br /></span></p>
<p><span style="color: #222222;">The Complaint alleged willful and intentional infringement of Oakley's D523,461 (D461) Eyeglass Component design patent, requested a preliminary and permanent injunction, and requested that Hire pay damages for infringing acts and treble damages, profits from the alleged infringement, attorney fees and costs associated with this action.</span></p>
<p><span style="color: #222222;">Hire moved for partial summary judgment of non-infringement, while Oakley asserted that a genuine issue of material fact made the summary judgment inappropriate.</span></p>
<p><span style="color: #222222;">Reproduced below are Figure 1 of the D461 patent (top) and an image of an alleged Sportsman Eyewear infringing product (bottom).&nbsp; The Court stated in the Factual Background section of the Order that the design of the D461 patent consisted of &ldquo;an eyeglass frame with bulbous areas on each arm and buttons on each bulbous area.&nbsp; The frames are curved and have ridges across the front bridge.&nbsp; There is a dip in the nose bridge, which consists of an x-shaped piece that sits on the nose.&rdquo;</span></p>
<p><span style="color: #222222;"><span class="full-image-block ssNonEditable"><span><img style="width: 640px;" src="http://www.protectingdesigns.com/storage/OakleyFig1.jpg?__SQUARESPACE_CACHEVERSION=1365455941845" alt="" /></span></span><span class="full-image-block ssNonEditable"><span><img style="width: 640px;" src="http://www.protectingdesigns.com/storage/SportsmanEyewear.jpg?__SQUARESPACE_CACHEVERSION=1365455951769" alt="" /></span></span>As re-iterated by the Court, in determining infringement or non-infringement, the claim must first be properly construed to determine scope and meaning, before the properly construed claim can be compared to the accused device.</span></p>
<p>In addressing the first question, the Court declined to issue a verbal description of the D461 Patent, in accordance with the Supreme Court position that a design is better represented by an illustration &ldquo;than it could be by any description.&rdquo; The Court agreed with Oakley that the D461 patent should be construed as the ornamental design for an eyeglass component, as shown and described in Figures 1 through 6 of the patent.</p>
<p>In addressing the second question, the Court relied on the ordinary observer test to determine whether there was infringement.</p>
<p><span style="color: #222222;">As reported in the Order, Hire argued that its Sportsman Eyewear had &ldquo;smooth arms while the arms on the claimed designs have a claw or rib-like pattern.&rdquo; Hire further argued that buttons on the arms of the accused product were in different locations from the claimed design, and plain instead of ornate on the claimed design.&nbsp; Hire also argued with respect to the position of the USB input port, and the presence of an additional Micro-SD input.&nbsp; Finally, Hire stated that its Sportsman Eyewear lacked a scoop on the top of the nose bridge and an x-shaped protrusion on the nose bridge front.</span></p>
<p><span style="color: #222222;">As stated in the Order, Oakley asserted an &ldquo;overwhelming similarity&rdquo; between the accused product and claimed design, &ldquo;or at a minimum, a question of fact sufficient to defeat summary judgment.&rdquo;</span></p>
<p><span style="color: #222222;">The Court agreed with Oakley that Hire had not met its burden of proof to show non-infringement, since &ldquo;&lsquo;mere differences of lines in the drawing or sketch &hellip; or slight variances in configuration &hellip; will not destroy the substantial identity,&rsquo;&rdquo; citing <em>Egyptian Goddess, </em>543 F.3d at 670 (quoting <em>Gorham</em>, 81 U.S. at 625-27).</span></p>
<p><span style="color: #222222;">The Court stated that when viewed as a whole there was at least a genuine issue of material fact whether the accused product infringes the claimed design.</span></p>]]></content></entry><entry><title>In re Owens (CAFC March 26, 2013)</title><category term="CAFC"/><category term="Federal Circuit"/><category term="appeal"/><category term="design patents"/><category term="new matter"/><category term="obviousness"/><category term="priority"/><id>http://www.protectingdesigns.com/blog/2013/4/1/in-re-owens-cafc-march-26-2013.html</id><link rel="alternate" type="text/html" href="http://www.protectingdesigns.com/blog/2013/4/1/in-re-owens-cafc-march-26-2013.html"/><author><name>Victor Cheung</name></author><published>2013-04-01T16:08:28Z</published><updated>2013-04-01T16:08:28Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span style="color: black;">The Court of Appeals for the Federal Circuit (CAFC) recently issued a precedential <a href="http://www.protectingdesigns.com/storage/3JPF6vN0.pdf">opinion</a> in <em>In re Owens</em>, affirming the BPAI&rsquo;s rejection of Owens et al.'s design patent application 29/253,172.&nbsp; The opinion at p. 2 states that the "&rsquo;172 application, which is the subject of this appeal, is a continuation of U.S. Design Patent Application No. 29/219,709 (filed Dec. 21, 2004) (&ldquo;&rsquo;709 application&rdquo;). The &rsquo;709 application claimed a design for a bottle," with boundaries&nbsp;as shown, e.g., in Figure 2 (left):&nbsp;</span></p>
<p><span style="color: black;"><span class="full-image-block ssNonEditable"><span><img src="http://www.protectingdesigns.com/storage/owens.jpg?__SQUARESPACE_CACHEVERSION=1364832861177" alt="" /></span></span></span></p>
<p><span style="color: black;">Owens</span><span style="color: black;"> filed the &rsquo;172 application in 2006, seeking the benefit of the &rsquo;709 application&rsquo;s 2004 priority date under 35 U.S.C. &sect; 120.&nbsp; The &rsquo;172 application claimed certain design elements found on the top and side portions of the original bottle, as depicted in Figure 2 (above, center).</span></p>
<p><span style="color: black;">The Examiner rejected the '172 application under 35 USC 112, &para; 1, for including new matter, as well as being obvious in view of Owens' earlier-sold bottles (obviousness hinged on whether the '172 application was entitled to the benefit of the '709 application's filing date).&nbsp; The BPAI affirmed the Examiner's rejection, finding that "Owens had claimed previously undisclosed 'trapezoidal sections occupying part, but not all, of the surface area of the front and back panels.'" See Figure 2, above, right.<br /> <br /> Owens argued that the BPAI applied an incorrect written description test to his case because the '172 application did not claim a trapezoidal-shaped area at all, "insist[ing] that in order to claim a new design element, one must first claim a new boundary." The trapezoidal-shaped area identified by the Examiner was bounded by a broken-line boundary, an "unclaimed boundary," and it is "understood that the claimed design extends to the boundary but does not include the boundary." MPEP &sect; 1503.02.</span></p>
<p><span style="color: black;">The CAFC characterized Owens&rsquo; arguments as being &ldquo;premised on the notion that an applicant who has possession of an entire area in a parent application must likewise possess all parts of the area.&rdquo; &nbsp;The CAFC found that these arguments misconstrue its holding in <em>In re Daniels</em>, stating that &ldquo;[i]</span>t does not follow from <em>Daniels </em>that an applicant, having been granted a claim to a particular design element, may proceed to subdivide that element in subsequent continuations however he pleases.&rdquo;<span style="color: black;"><br /> <br /> On the contrary, the CAFC stated that &ldquo;the question for written description purposes is whether a skilled artisan would recognize upon reading the parent&rsquo;s disclosure that&nbsp;the trapezoidal top portion of the front panel might be claimed separately from the remainder of that area. [<em>Ariad</em><em> Pharm.</em><em>, Inc. v. Eli Lilly &amp; Co.</em>, 598 F.3d 1336, 1351 (Fed. Cir. 2010) (en banc)]." According to the court, &ldquo;Owens&rsquo;s parent application discloses a design for a bottle with an undivided pentagonal center-front panel, whereas the continuation claims only the trapezoidal top portion of that center-front panel.&rdquo; Because the parent application did not suggest anything uniquely patentable about the top portion of the bottle, the CAFC affirmed the Board's decision.</span></p>
<p><span style="color: black;">When asked "whether, and under what circumstances, Owens could introduce an unclaimed boundary line on his center-front panel and still receive the benefit of &sect; 120," the CAFC stated:</span></p>
<p><span style="color: black;">"In our view, the best advice for future applicants was presented in the PTO&rsquo;s brief, which argued that unclaimed boundary lines typically should satisfy the written description requirement only if they make explicit a boundary that already exists, but was unclaimed, in the original disclosure. Although counsel for the PTO conceded at oral argument that he could not reconcile all past allowances under this standard, he maintained that all future applications will be evaluated according to it."<br /> <br /> Note that MPEP &sect; 1503.02 indicates "[w]here no boundary line is shown in a design application as originally filed, but it is clear from the design specification that the boundary of the claimed design is a straight broken line connecting the ends of existing full lines defining the claimed design, applicant may amend the drawing(s) to add a straight broken line connecting the ends of existing full lines defining the claimed subject matter." However,&nbsp;this would not have aided Owens, as a straight broken line would only have defined a larger trapezoidal area, resulting in the same written description problems.</span></p>]]></content></entry><entry><title>Hague Agreement: A New Chapter for Protection of Industrial Design for the United States</title><category term="USPTO"/><category term="design patents"/><category term="hague agreement"/><category term="treaty"/><id>http://www.protectingdesigns.com/blog/2013/3/7/hague-agreement-a-new-chapter-for-protection-of-industrial-d.html</id><link rel="alternate" type="text/html" href="http://www.protectingdesigns.com/blog/2013/3/7/hague-agreement-a-new-chapter-for-protection-of-industrial-d.html"/><author><name>Anne-Raphaelle Aubry</name></author><published>2013-03-07T13:51:13Z</published><updated>2013-03-07T13:51:13Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>On March 1, 2013, Teresa Stanek Rea (<span>Acting Under Secretary of Commerce for Intellectual Property and Acting Director of the USPTO</span>)&nbsp;addressed the implementation of U.S. participation in the Hague Agreement&nbsp;on the Director&rsquo;s Forum blog in "<a href="http://www.uspto.gov/blog/director/entry/a_new_chapter_for_protection">A New Chapter for Protection of Industrial Design for the United States</a>."</p>
<p>The <a href="http://www.protectingdesigns.com/blog/2012/12/10/patent-law-treaties-implementation-act-of-2012.html">Patent Law Treaties Implementation Act of 2012</a>, signed by President Obama, serves as the implementing legislation for both the Geneva Act of the Hague Agreement Concerning the International Registration of Industrial Designs (&ldquo;the Hague Agreement&rdquo;) and the Patent Law Treaty.</p>
<p>Under the Hague Agreement, industrial design patent filings will no longer be required for each jurisdiction. &nbsp;Instead, a single English-language application can be filed directly with the World Intellectual Property Organization or indirectly with the USPTO, and can lead to protection in multiple designated member countries, including the European Union.</p>
<p>The new process is expected to result in cost savings and to facilitate design protection in multiple markets by&nbsp;small and medium sized businesses.</p>]]></content></entry><entry><title>Design Day 2013</title><category term="USPTO"/><category term="design day"/><category term="design patents"/><id>http://www.protectingdesigns.com/blog/2013/2/28/design-day-2013.html</id><link rel="alternate" type="text/html" href="http://www.protectingdesigns.com/blog/2013/2/28/design-day-2013.html"/><author><name>Anne-Raphaelle Aubry</name></author><published>2013-02-28T21:47:09Z</published><updated>2013-02-28T21:47:09Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>The seventh annual USPTO Design Day, which discusses current issues in design patent law, will take place on April 23, 2013. <span>The program is open and free to all, but registration is recommended via: &nbsp;</span><a href="http://2013designday.eventbrite.com/">http://2013designday.eventbrite.com/#</a></p>
<p><span>Recaps of Design Day 2011 and Design Day 2010:</span></p>
<p><span><a href="http://www.protectingdesigns.com/blog/2011/4/8/design-day-2011.html">Design Day 2011</a></span></p>
<p><span><a href="http://www.protectingdesigns.com/blog/2010/4/8/design-day-2010.html">Design Day 2010</a></span></p>
<p>In keeping with Design Day&rsquo;s history of discussing recent trends in industrial design and their impact on design patent prosecution and global patent strategy, topics to be addressed this April include:</p>
<ul>
<li>How the USPTO is preparing to examine applications filed under the Hague Agreement,</li>
<li>Rules and techniques relating to claiming icons and graphical user interface in the US and Japan,</li>
<li>Value Microsoft places on its design patent portfolio,</li>
<li>Design patents in post grant proceedings, and</li>
<li>Best practices aimed at obtaining the strongest protection of industrial designs in the US.</li>
</ul>
<p>A wrap up of important design patent decisions since Design Day 2012, including the Apple v. Samsung smart phone litigations, is expected to close the event.</p>]]></content></entry><entry><title>Filing of certified copies of priority documents: no change for design patent applicants</title><category term="37 CFR"/><category term="AIA"/><category term="FITF"/><category term="america invents act"/><category term="design patents"/><category term="first inventor to file"/><id>http://www.protectingdesigns.com/blog/2013/2/28/filing-of-certified-copies-of-priority-documents-no-change-f.html</id><link rel="alternate" type="text/html" href="http://www.protectingdesigns.com/blog/2013/2/28/filing-of-certified-copies-of-priority-documents-no-change-f.html"/><author><name>Philippe Signore</name></author><published>2013-02-28T21:07:40Z</published><updated>2013-02-28T21:07:40Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>On March 16, 2013, the First-Inventor-To-File (FITF) provisions of the America Invents Act (AIA) will become effective.&nbsp; In preparation for the new statute, the USPTO published its final <a href="http://www.protectingdesigns.com/storage/2013-03453.pdf">rules</a>&nbsp;on the FITF on February 14, 2013.&nbsp;</p>
<p>In general, these final rules relate to the statutory changes to the definitions of novelty and prior art.&nbsp; One of the changes is that a U.S. patent or a U.S. patent application publication has a prior art effect as of the filing date of the foreign priority application for the subject matter disclosed in the priority document.&nbsp; In reaction to this change, new Rule 37 CFR 1.55(f) will require applicants to systematically file a certified copy of the foreign application, or an interim copy of the foreign application, within the later of four months from the actual filing date of the application or sixteen months from the filing date of the prior foreign application.&nbsp;</p>
<p>Under pre-AIA rules, applicants only needed to file their certified copy at any time during prosecution, or if/when priority needed to be perfected in order to remove an intervening prior art.&nbsp; The new rule is intended to ensure that a certified copy is placed in an application before its publication such that the priority document can be consulted in the event the U.S. application publication is considered prior art as of its priority date, for example by an examiner or a third party during the examination of another application filed under the AIA.</p>
<p>Of importance to design patent applicants, Rule 55(f) states that &ldquo;[t]he time period in this paragraph does not apply in a design application.&rdquo; This exception is consistent with the fact that design patent <em>applications</em> are not published.&nbsp; Only design <em>patents</em> can become prior art.&nbsp;</p>
<p>Thus, while there may be a need for an examiner of another AIA application or a third party to consult a priority document after a design patent issues, there would be no need to consult the priority document during prosecution of the design application.&nbsp; Accordingly, design patent applicants can continue their current practice of filing their priority documents at any time during prosecution, for example with the payment of the Issue Fee.&nbsp; Of course, there is no change to the practice of filing a certified copy of the priority document during prosecution if priority needs to be perfected, for example to remove an intervening prior art.</p>]]></content></entry><entry><title>Beats sues Yamaha for trade dress and design patent infringement</title><category term="beats"/><category term="complaint"/><category term="design patent"/><category term="dr. dre"/><category term="patent infringement"/><category term="trade dress"/><category term="yamaha"/><id>http://www.protectingdesigns.com/blog/2013/2/15/beats-sues-yamaha-for-trade-dress-and-design-patent-infringe.html</id><link rel="alternate" type="text/html" href="http://www.protectingdesigns.com/blog/2013/2/15/beats-sues-yamaha-for-trade-dress-and-design-patent-infringe.html"/><author><name>Anne-Raphaelle Aubry</name></author><published>2013-02-15T19:00:09Z</published><updated>2013-02-15T19:00:09Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Beats Electronics, LLC (Beats) filed a <a href="http://www.protectingdesigns.com/storage/BeatsComplaint.pdf">complaint</a> against Yamaha Corporation of America (Yamaha) on February 6, 2013, in the Central District of California, alleging infringement of Beats&rsquo; design patents and trade dress.&nbsp; The complaint includes a request that the court enter a judgment that requires Yamaha to deliver to Beats, for destruction, all of the alleged infringing headphones and any materials which depict the alleged infringing headphones.&nbsp; The complaint demands a jury trial on all issues.</p>
<p>According to the complaint, counsel for Beats notified Yamaha on November 30, 2012, of its belief that the Yamaha Pro 300, Yamaha Pro 400 and Yamaha Pro 500 headphones infringe Beats patents and Beats&rsquo; trade dress rights, and the complaint alleges that the Pro 300, Pro 400 and Pro 500 headphones are &ldquo;knock-offs of Beats&rsquo; world-famous &lsquo;Studio,&rsquo; &lsquo;Solo,&rsquo; and 'Wireless&rsquo; model headphones.&rdquo;</p>
<p>The complaint alleges that Yamaha has &ldquo;infringed Beats&rsquo; famous and distinctive trade dress and committed unfair competition,&rdquo; and that Yamaha has infringed Beats&rsquo; design patents <a href="http://www.google.com/patents/USD632668">D632,668</a> and <a href="http://www.google.com/patents/USD552077">D552,077</a>, which respectively claim an&nbsp;<span style="color: #222222;">a</span>udio listening system and a headphone.</p>
<p>Fig. 8 of D552,077, Fig. 1 of D632,668 and an image of one of the alleged infringing Yamaha headphones from Exhibit E of the complaint are reproduced below, respectively, left to right.</p>
<p><span class="full-image-block ssNonEditable"><span><img style="width: 640px;" src="http://www.protectingdesigns.com/storage/beats.JPG?__SQUARESPACE_CACHEVERSION=1360955816268" alt="" /></span></span><span style="color: #222222;">Exhibit F of the complaint, which is titled &ldquo;BEATS SOLO vs. YAMAHA 300,&rdquo; is reproduced below.</span></p>
<p><span style="color: #222222;"><span class="full-image-block ssNonEditable"><span><img style="width: 640px;" src="http://www.protectingdesigns.com/storage/beats vs.JPG?__SQUARESPACE_CACHEVERSION=1360955916730" alt="" /></span></span></span></p>
<p>In the complaint, Beats alleges that &ldquo;[c]onsumers appreciated the design, as well as the sound quality, of the Beats Headphones and began wearing the Beats Headphones around their necks as a fashion accessory even when not listening to music.&rdquo; Beats further alleges that &ldquo;Beats&rsquo; Trade Dress rights in these products consists [sic] of the overall appearance of the shape and design of the headphones, including the size, proportion and curvature of the headband, yoke and earcups,&rdquo; citing to Exhibits A-C of the complaint.</p>
<p>The complaint further alleges that the following images are advertisements that have been displayed by Yamaha or its affiliate on the Internet, and argues that these images &ldquo;further show Defendant&rsquo;s intention to copy the distinctive design of Beats&rsquo; headphones and/or its intention to trade off of the goodwill associated with Beats&rsquo; product appearance.&rdquo;&nbsp;</p>
<p><span class="full-image-block ssNonEditable"><span><img style="width: 640px;" src="http://www.protectingdesigns.com/storage/beats ad.JPG?__SQUARESPACE_CACHEVERSION=1360956085014" alt="" /></span></span></p>]]></content></entry><entry><title>Apple Trademarks in the U.S. Design and Layout of Retail Stores</title><category term="Apple"/><category term="trademark"/><id>http://www.protectingdesigns.com/blog/2013/2/12/apple-trademarks-in-the-us-design-and-layout-of-retail-store.html</id><link rel="alternate" type="text/html" href="http://www.protectingdesigns.com/blog/2013/2/12/apple-trademarks-in-the-us-design-and-layout-of-retail-store.html"/><author><name>David H. Aleskow</name></author><published>2013-02-12T15:50:04Z</published><updated>2013-02-12T15:50:04Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Apple obtained a registration (<a href="http://www.protectingdesigns.com/storage/4277914.pdf">U.S. Registration No. 4,277,914</a>) which covers retail store services in the United   States for the design and layout of its retail stores.&nbsp; The description of the mark is as follows:</p>
<p style="padding-left: 60px;">--The store features a clear glass storefront surrounded by a paneled facade consisting of large, rectangular horizontal panels over the top of the glass front, and two narrower panels stacked on either side of the storefront. Within the store, rectangular recessed lighting units traverse the length of the store's ceiling. There are cantilevered shelves below recessed display spaces along the side walls, and rectangular tables arranged in a line in the middle of the store parallel to the walls and extending from the storefront to the back of the store. There is multi-tiered shelving along the side walls, and a oblong table with stools located at the back of the store, set below video screens flush mounted on the back wall. The walls, floors, lighting, and other fixtures appear in dotted lines and are not claimed as individual features of the mark; however, the placement of the various items are considered to be part of the overall mark.--</p>
<p><span class="full-image-block ssNonEditable"><span><img style="width: 640px;" src="http://www.protectingdesigns.com/storage/apple store layout.JPG?__SQUARESPACE_CACHEVERSION=1360684390238" alt="" /></span></span></p>
<p>Registration was initially refused for lack of inherent distinctiveness by the U.S. Patent and Trademark Office because the applied-for mark consists of a nondistinctive three-dimensional configuration that would not be perceived as a service mark, but only as decoration or ornamentation.&nbsp; Apple was able to obtain registration by claiming that the mark had acquired distinctiveness.&nbsp; In order to prove acquired distinctiveness, Apple submitted declarations describing the success of Apple&rsquo;s retail stores, consumer awareness of the store configuration trade dress, and Apple&rsquo;s marketing efforts to increase consumer awareness of its store design.&nbsp; Further, Apple submitted promotional materials, images, articles, web pages, and consumer surveys in order to demonstrate the United   States awareness of the Apple retail stores.</p>]]></content></entry></feed>